Stranger On A Train -- Odd Sensations
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Strange Days is a 1995 American cyberpunk thriller film directed by Kathryn Bigelow, written by James Cameron and Jay Cocks, and produced by Cameron and Steven-Charles Jaffe. It stars Ralph Fiennes, Angela Bassett, Juliette Lewis, and Tom Sizemore. Set in the last two days of 1999, the film follows the story of a black marketeer of recordings that allow a user to experience the recorder's memories and physical sensations as he attempts to uncover the truth behind the murder of a prostitute.
In the last two days of 1999, Los Angeles has become a dangerous war zone. As a group of criminals robs a Chinese restaurant, the event is recorded by a robber wearing a SQUID, an illegal electronic device that records memories and physical sensations directly from the wearer's cerebral cortex onto a MiniDisc-like device for playback. Lenny Nero, a former LAPD officer turned black marketeer of SQUID recordings, buys the robbery clip from his main supplier, Tick. Elsewhere, a prostitute named Iris, who is a former friend of Lenny's ex-girlfriend Faith Justin, is being chased by LAPD officers Burton Steckler and Dwayne Engelman. Iris escapes on a subway car, but Engleman pulls off her wig, revealing a SQUID recorder headset.
The film's SQUID scenes, which offer a point-of-view shot (POV), required multi-faceted cameras and considerable technical preparation.[4] A full year was spent building a specialized camera that could reproduce the effect of looking through someone else's eyes.[4] Bigelow revealed that it was essentially \"a stripped-down Arri that weighed much less than the smallest EYMO and yet it would take all the prime lenses.\"[13] Cinematographer Matthew F. Leonetti was also hired to help Bigelow film the scenes, which were choreographed weeks in advance.[4] The opening sequence, which features a 16-foot jump between two buildings by a stunt performer without a safety harness, took two years to co-ordinate and has hidden cuts.[4][13] For example, the jump was filmed with a helmet camera, while the run up a stair escape required a Steadicam.[13] According to Cameron, \"We designed transitions that would work seamlessly. It was a very technical scene that doesn't look technical.\"[1] The sequence where Iris runs in front of a speeding freight train was shot backwards, with the train backing up. The footage was then reversed during editing.[13]
The abiding terror in Alfred Hitchcock's life was that he wouldbe accused of a crime he did not commit. This fear is at the heart of many ofhis best films, including \"Strangers on a Train\" (1951), in which aman becomes the obvious suspect in the strangulation of his wife. He makes anexcellent suspect because of the genius of the actual killer's original plan:Two strangers will \"exchange murders,\" each killing the person the otherwants dead. They would both have airtight alibis for the time of the crime, andthere would be no possible connection between killer and victim.
Itis a plot made of ingenuity and amorality, based on the first novel by PatriciaHighsmith (1921-1995), who in her Ripley novels and elsewhere was fascinated bybrainy criminals who functioned not out of passion but from carefulcalculation, and usually got away with their crimes. The\"criss-cross\" murder deal in \"Strangers on a Train\" indeedwould have worked perfectly -- except for the detail that only one of thestrangers agrees to it.
GuyHaines, a famous tennis player, is recognized on a train by Bruno Anthony,whose conversation shows a detailed knowledge of Guy's private life. Guy wantsa divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry AnneMorton (Ruth Roman), the daughter of a U.S. senator. Over lunch in his privatecompartment, Bruno reveals that he wants his father dead, and suggests a\"perfect crime\" in which he would murder Guy's wife, Guy would murderBruno's father, and neither would ever be suspected.
Grangeris softer and more elusive, more convincing as he tries to slip out of Bruno'sconversational web instead of flatly rejecting him. Walker plays Bruno asflirtatious and seductive, sitting too close during their first meeting, andthen reclining at full length across from Guy in the private compartment. Themeeting on the train, which was probably planned by Bruno, plays more like apickup than a chance encounter.
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In the 1970s, Cynthia Page was a young copywriter working in Manhattan and living in New Jersey. One night, after missing the train home, she found a phone booth in the train station and called her husband. When she hung up and turned around, she saw that the phone booth was surrounded by a group of tall, threatening-looking men.
The man opened the phone booth door, grabbed her by the arm, pulled her out, and moved her through the station. As they walked, he continued to talk loudly and complain about almost missing their train, as if he knew her. He waited with her for another train, and once he saw that she was safe, he disappeared.
The area around Lake Street and Hiawatha has changed greatly in the past 50 years, but the train yards in Longfellow that run parallel to Hiawatha, past the towering Archers-Daniel-Midland silos, look very much as they must have 75 years ago. Walking around the yards on a recent Sunday afternoon, alone except for a friend accompanying me, I had a feeling of being completely out of time.
Pain is weird - just ask the dude over at painscience.com. But understanding pain helps us explain pain and explain the sensations many people often feel. Understanding pain can both be a desensitizer in its own right and help facilitate behavioural changes that lead to good rehabilitation.
You've described your knee as feeling weird and just different from your other one. You note it feels weaker and like you can't control it. It just feels \"off\". This is not uncommon. And many people feel this. You might be weaker and you might have a difference in how you control that body part. And some of that comes down to how your brain controls movement and how it \"feels\" and perceives your body in space. Its pretty amazing actually and not at all weird even thought it seems like it. Athletes have known this for years. They know that it is the brain that really controls movement and so sometimes the best way to control movement is to practice training the brain. That's why you see downhill skiers visualizing the course before they do their run. Or a diver imagining their dive before. Movement starts in the brain so its a good idea to train it.But, pain does odd things. One thing it can do is influence how the brain controls movement and how you perceive your body. All of us have a map of our body in our brain. You know where your body parts are and you know how to control them. This is called a representation. With persisting pain that representation or that map can become distorted. Less precise. Its like spilling coffee on a real map. If you are out in the wilderness you want as much information on your map as possible to know how to navigate around. You want borders, elevation changes, rivers, paths etc. With pain, that coffee spill blurs the borders between Belgium and Luxembourg (I think they are near each other). With that blurring it makes it harder to get around and to navigate where you are going.
Pain does the same thing with the maps in your brain. They get smudged. You feel weird. Your pain can travel. You can feel off balance. Your body part can feel distorted. It can even be harder to do imagined movements. ALL OF THIS NORMAL...and you can train to improve this.
\"We live in a world of strangers, where life in public spaces feels increasingly anonymous,\" said Kim. \"However, avoiding other people actually requires quite a lot of effort and this is especially true in confined spaces like public transport.\"
\"In a cafe, which is more relaxed, people often ask strangers to watch their stuff for a moment,\" said Kim. \"Yet at bus stations that rarely happens as people assume their fellow passengers will be tired and stressed out.\"
Nicholas Epley: People out in their daily lives aren't social enough for their own well-being. They don't engage in conversations with strangers, for instance, nearly as much as they ought to to maximize their own well-being.
Nicholas Epley: Turns out that people like talking to strangers quite a bit but because they think they're not going to enjoy it very well, they don't they don't do it very often. I would say my lab has been consumed over the last few years with this really reliable result that people underestimate how positive others will feel when you reach out to them in a pro social positive way. And we just find that effect relentlessly just relentlessly.
Nicholas Epley: Yeah, right, but other problems are much harder. Like, what is Trump thinking Or what is Putin thinking Right Everyday life gives us lots of harder problems where it's much more difficult to know what's going on in the mind of another person. But I can give you a couple of benchmarks. So let's take something like lie detection. So you're telling a truth, or a lie, and I can watch you do this and I'm just predicting whether you're telling the truth or lying, these are strangers say. Chance accuracy is 50 percent if you're telling the truth or lies. If I'm just guessing, I will get this right 50 percent of the time. Meta analysis of lie detection in procedures like this peg accuracy levels at about 54 percent. All right So a little bit better than chance but not a lot.
Nicholas Epley: I would say my lab has been consumed over the last few years with this really reliable result that people underestimate how positive others will feel when you reach out to them in a pro-social positive way. And we just find that effect relentlessly. If you look out in the world, you see lots of opportunities where people could be connecting with others, engaging with the mind of another, and they're not. Every day on the trains people come into Chicago, or you know all over the world, and people sit cheek to jowl and they don't talk to each other. Riding buses downtown, walking along city sidewalks, the cities are crammed with people desperately it seems often trying to ignore each other. And, for a psychologist, that seemed to me like a paradox. Why is it that highly social agents, who have brains uniquely equipped to connect with the minds of others, seem so often to find reason not to use it 59ce067264
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