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\"The Mod Squad'' has an intriguing cast, a director who knows how to use his camera and a lot of sly humor. Shame about the story. When you see this many of the right elements in a lame movie, you wonder how close they came to making a better one. The director, Scott Silver, co-wrote the script himself, and has to take some of the blame: This is a classy production and deserves better.
The skills, alas, are astonishing because they're so bush league. The main investigative technique in this movie consists of sneaking up on people and eavesdropping while they explain the entire plot and give away all the secrets. Julie falls for a former lover, follows him to a rendezvous with a drug kingpin (Michael Lerner) and overhears choice nuggets of conversation (\"None of them have any idea I know they're cops!''). Then she follows him home and hides in his closet while the faithless louse does the rumpy-pumpy with another woman.
And there's a small but indispensable supporting role by Michael Lerner as the crewcut evil kingpin, who intimidates his enemies by dancing with them (\"I'm not a fairy--I just like to dance''). He delivers his dialogue indirectly, as an ironic commentary on the horrible things he always seems about to do. So all of this is a good start, but the screenplay just doesn't provide the foundation. Consider Billy, the Josh Brolin character, who is Julie's once and future boyfriend. We know from the first moment we see him that he's no good. We're tipped off by how suddenly Julie goes for him; if the point were romance, the movie would let them take longer, but since the point is for her to be deceived, she has to rush in heedlessly. No girl meets a guy who dumped her and broke her heart, and immediately drags him into a toilet stall for sex. Especially not now that she's clean and sober, as Julie is (although the movie repeats the tiresome cliche that all recovering alcoholics immediately turn to drink after a setback--preferably swigging from a fifth). What I'd love to know is how the screenplay got green-lighted. This is a top-drawer film with a decent budget and lots of care about the production values. The cast is talented and well-chosen. The movie is even aware of potential cliches (before the last shoot-out, Julie says, \"At least it's not going down in an abandoned warehouse''). And then what do they end up with The most expensive Nancy Drew mystery ever filmed. 153554b96e
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